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Pingback: Firefox 33 arrives with OpenH264 support, sending video to Chromecast and Roku from Android | 381test Pingback: Firefox 33 on julkaistu – täältä saat sen heti ladattua | Iltapuuro Pingback: Firefox 33 on julkaistu – täältä saat sen heti ladattua - mustapekka.fi Pingback: Lucatarik | Firefox 33 Find out what is new Pingback: Firefox 33 Find out what is new - gHacks Tech News Pingback: Firefox for Android in 2013 | Lucas Rocha Pingback: Multiprocess Firefox | Bill McCloskey's Blog Pingback: Video Synced Profiling « Benoit Girard's Blog Pingback: Mobile Firefox: Measuring How a Browser Feels | William Lachance's Log Pingback: Splitting up the work for the UI thread | FunctionSource Development Pingback: GFX Changes in Firefox 13 « Benoit Girard's Blog Pingback: Native Firefox for Android Beta | After all with hardware accelerated layers backends the work is mostly just queuing a few simple graphics command to the GPU.ģ4 thoughts on “ Off Main Thread Compositing (OMTC) and why it matters” While compositing does add more load to the event loop from my experience the load it adds is often negligible. Currently this composition is driven by the main event loop. When these layers are updated they must be flattened to the screen to show a final frame. Any event, such as poorly written JS, that takes too long to process will cause the application to feel sluggish and will cause updates, animations and videos to pause.Įvery web page is broken into a set of layers (backgrounds, canvas, video, web contents, position fixed element, elements that are being animated) by our layers system. We do our best to handle events quickly (in a few milliseconds) and break up the ones that we know will take longer (such as image decoding). Currently this event loop is servicing a lot of events including page layout, drawing, image decoding and don’t forget JS. Based in Delaware, visually influencing the world.Like most desktop applications, Firefox is driven by an event loop. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Typeface Design: Alexander Girard, Ben Kiel, Ken Barber, Laura MeseguerTypeface Production: Ben KielTypeface Direction: Christian Schwartz, Andy Cruz, Ken Barber This animation shows a sampling of the swash characters available in the font. Girard Slab’s three widths and four weights ensure versatility in a modern editorial setting while its gentle curves transcend the sterility of traditional typography to add an unprecedented warmth and personality.Copious alternate characters and “smart” OpenType programming allow Sansusie to escape the rigid confines of typography to come alive as if flowing from Girard‘s sketchpad. The ligatures feature substitutes specially-drawn letter combinations that combine two, three or even four characters to create smoother transitions and simulate lettering sensibilities. In Girard Sansusie, each character stands alone as an illustrative element while coming together with its counterparts as a whimsical yet functional typeface.
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Inspired by a workhorse lettering style that helped Alexander Girard implement thousands of design elements in his overhaul of the Braniff identity system, Girard Sky pulls its weight in any contemporary application. From boutique chocolate packaging to the titling sequence for an indie vegan superhero cartoon, Girard Script deftly adds a contemporary sophistication to text and display settings. Slab’s three widths and four weights ensure versatility in a modern editorial setting while its gentle curves transcend the sterility of traditional typography to add an unprecedented warmth and personality. The Girard Slab family gracefully synthesizes illustrative sensibilities into a practical typographic framework. We are honored that the Girard family has entrusted us to celebrate and expand upon the legacy of this design icon with this collection of fonts. Whatever the medium, Girard‘s love for typography was the common thread that wove his work together. The font is currently #50 in Hot New Fonts. Girard contains 17 styles and family package options. Girard was designed by Laura Meseguer, Ken Barber, Ben Kiel, Alexander Girard and published by House Industries.